I am back in full swing now after an interstate move. My real love is raw natural crystals, for example the Pink Tourmaline I have listed on Artfire (photo below). It's actually easier to wrap odd shapes and let the wire go where it will, and then add coil and weave. I am collecting new pieces to wrap and the requests for custom items have been coming in lately as well. All good!

I now have a shopping cart on my own site:
Moonbeemz Shop

I am going to concentrate on wire wrapping natural crystals, it is something so unusual and so satisfying to do.

14k gold filled wire for wrapping

Last night I made 3 pendants with 14k gold filled wire and it reminded me what a pleasure it is to use. I love sterling too, but the gold filled has a certain quality I can't really describe. You don't really get any second chances with it, despite using the 'soft' as the more it is handled, the harder it sets. As it also costs heaps, it can be quite daunting to plunge into a new design not knowing if you have enough wire cut and so on. When it's polished, 14k has this marvellous deep colour and I think it really helps to frame natural gemstones.

:)

Despite best intentions, it's been a while since I posted. One reason is that Artfire have been adding so many goodies I had trouble keeping up. We now have a Kiosk directly on Facebook, you can actually buy items directly from there. Amazing stuff. I've just added a widget down the page a bit.

I'd like to know what other people are interested in hearing about, so let me know. Wire wrapping is on ongoing learning curve, and if I can pass on any experiences from that curve, I would like that.

Here's one of my twist creations:

Aura wire wrapped crystals

I love working with natural crystals and these beauties are superb. Aura crystals are natural quartz crystals have been infused with Platinum at high heat and bonded at a molecular level with either Platinum, Gold, Iron, Indium or silver to form a permanent bond. This mineral coating breaks light into rainbow colours, and the coating is permanent.

The result is stunning and I have had a lot of fun making these.
Tanzan Indigo crystal pendant listed at Artfire.
Opal Aura wire wrapped pendant

Well I totally meant to start this blog with a bang and keep it coming and got sidetracked!

I've now consolidated all my items together on my Artfire site and hopefully my lovely customers from eBay and Etsy can find me there now. It's a very comfortable home, with a terrific community, and genuine care for sellers and buyers alike.

For the next few days I have a 10% sale - Christmas in July.

I'd better get back to work and make some more beauties.

Which Wire to use for Wire Wrapping?

When I was learning to wire wrap, this simple question was the hardest to find the answer to.

So here's a few tips I learnt along the way, though only from my own experience. It's not a "one size fits all" type of thing, and personal preferences certainly do come into it as you try different types and sizes of wire, until you settle on your personal favourites.

Starting out

For just mucking around, it's good to play with "artwire" that can be bought cheaply and you won't feel heartbroken if you have to throw it away. I started with a beautiful silver one, though it comes in many colours. It doesn't have the same properties as sterling silver wire, so there is only so much you can learn with it.

Dead Soft Round Wire

This is my wire of choice.

It is very flexible and allows you to mould the wire around a stone, and do twirls and curls if you want. Once you have finished, then you need to polish the finished piece - I just do it with a silver polishing cloth while I watch TV. This hardens the wire and sets it in place, so polish until it's very firm. It's worth remembering when using dead soft wire, that the more you 'handle' it, the harder it becomes. Because of it's flexibility, it does allow you to correct a mistake if you are careful, but not too often!

I have found that dead soft gold filled wire is not as flexible as sterling wire, so be careful not to handle it too much if you can.

Half Hard Round Wire

As the name says, it's half hard, and a lot less flexible than dead soft. This wire is good for creating frames or designs that need to hold their shape, and handcrafted ear hooks.

Half Round Wire

This wire is made with one side flat so that it can be wrapped around a bundle of other wires to hold them in place. It's very useful, though somewhat hard to find sometimes. You can use it as a feature in itself, especially with cabochons.

Fancy Wires

There is a whole range of specialist wires you can buy from a good supplier. In Australia, the one I use is A&E Metals . I have used a twisted wire, and have tried a sort of cable wire, and hope to try the more specialised ones soon. Used in combination with round wire, as a feature, they can add a whole new look to your designs. They tend to be half hard, and not very flexible, but with a bit of practice are worth using.

Gauges of Wire

The lower the number gauge, the thicker the wire, and the more expensive to buy.

For heavier stones and crystals I use 20g sterling and gold filled wire.

For lighter stones and some smaller raw crystals I use 21g, and occasionally 22g.

For half round, either 20g or 22g, though the smaller gauge is quite small.

If you want to make headpins, 21g is for a thicker pin, or 22g for fine work.

18g is getting more heavy and expensive, but excellent for rigid designs.

For coiling wire I use fine 26g wire around 20 gauge. It's strong enough not to break easily and to support a 'weave'. I haven't tried the finer sizes yet, that will be interesting.

I hope this helps!